Welcome to the home for Digital Research 2013

Here you will be asked to post a screenshot as well as an approximately 400 word description of the criteria or parameters that you implemented in your use of this weeks precedent study.

Here is the schedule for the semester, including the student responsible for moderating the discussion:

Performative
8/20- Shanghai Tower- Beorkrem
8/27- Versioning- Steven Danilowicz
9/3- Adaptive Components- Dylan davis
9/10- Material Constraints- Christian Sjoberg
9/17- Programmatic Constraints- Neil Edwards

Generative
9/24- Aesthetic- Trevor Hess
10/1- Biomimicry- Ben Sullivan
10/8- NO CLASS- Fall Break

Interactive Design
10/15- Smart Objects- Lina Lee
10/22- Smart interfaces- Isabel Fee

Data Visualization
10/29- Emotive Expression- Chris Pockette
11/5- Physical Expression-
11/12- Daylighting-
11/19- Final Project begins
11/26
12/3

Monday, August 26, 2013

Shanghai Tower - Trevor Hess

The Shanghai Tower Lab, while simple in its construction, brings up the interesting paradigm of limits within computational design. These limits are different than the different parameters within the script. Really, the limits are applied to the different parameters, or adjustments that can be made to the design (represented by the upper and lower bounds on the sliders). In this project, starting with a outer skin of a specific dimension, many of these limits are dependent on the setting of the other parameters. For example, to have a large base, you must increase the step size, so that the upper layers of the building do not intersect the rotated skin. Similarly, the skin can not be rotated to such a degree that it knots itself, or is thinner in the middle, than at the top. While you could refer to these as constraints, I prefer to differentiate between bounds that are imposed by the designer (constraints), and bounds that are imposed the geometry of the project (limits). Without being able to test the wind loads on the building, the grasshopper script alone can not be used to determine the optimal twist of the building. Instead, it is used to gauge the rough aesthetic constraints and geometric limits of the proposed building form.



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